An offbeat horror tale about a group of five college friends on vacation at a remote mountain cabin when one contracts a flesh-eating virus. As it spreads among the friends, their true feelings and personalities emerge as they struggle to survive the virus and each other.

The second war against the Cylons is over and The Twelve Colonies have been destroyed. Now Commander Adama of the Battlestar Galatica and President Laura Roslin lead a ragtag fleet of refugees in a supposed search for the fabled lost thirteenth colony, Earth. However, the dangers they face are many which compound an already difficult situation. In addition to the Cylons hunting and attacking the fleet in space, their infiltrator units carry out a more subtle plot even as their former unwitting pawn, Gaius Baltar, helps in the hunt for them while hiding both his own guilt and the strange presence that haunts his every thought. If that wasn’t enough, the fleet also faces internal political conflict in which the rabble-rousing figure, Tom Zarek, is merely the loudest dissenting voice. In the midst of these trials however, clues begin to appear that suggest that Adama’s simple bluff about Earth may be more truthful than anyone could have guessed.

Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore¹s tracks ­ and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore¹s ultra-elite Maryland School of the Arts — and the only thing standing in the way of her obviously brilliant future is finding a great dance partner for her senior showcase. When trouble with the law lands Tyler with a community service gig at Maryland School of the Arts, he arrives as an angry outsider, until his skills as a gifted street dancer draw Nora¹s attention. Now, as sparks fly between them, both on and off stage, Tyler realizes he has just one performance to prove that he can step up to a life far larger than he ever imagined.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Jarhead (the self-imposed moniker of the Marines) follows “Swoff” (Gyllenhaal), a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper’s rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don’t understand against an enemy they can’t see for a cause they don’t fully fathom… Foxx portrays Sergeant Sykes, a Marine lifer who heads up Swofford’s scout/sniper platoon, while Sarsgaard is Swoff’s friend and mentor, Troy, a die-hard member of STA-their elite Marine Unit.

A secret service agent, Jennifer Marsh, gets caught in a very personal and deadly cat-and-mouse game with a serial killer who knows that people (being what they are - both curious and drawn to the dark side of things) will log onto an “untraceable” website where he conducts violent and painful murders LIVE on the net. The more people who log on and enter the website, the quicker and more violently the victim dies.

Something disturbing is going on in San Francisco each and every night. Certain locals who are out at night, are being set upon and slain, by someone or something, to be found in the morning mutilated or parts missing. Ocassionally they are never found at all ditto the parts that go missing. Tonight one teen is going to witness a massacre at the hands of this lethal mystery. And might be able to shed some light over it to the cops. That is if she survives the night.

FBI Agent Will Graham has been called out of early retirement to catch a serial killer, known by authorities as “The Tooth Fairy”. He asks for the help of his arch-nemesis, Dr. Hannibal “The Cannibal” Lecter, so that he can be able to catch “The Tooth Fairy” and bring him to justice. The only problem is that “The Tooth Fairy” is getting inside information about Graham and his family from none other than Dr. Lecter.

Karl from Germany and Marcelo from France emigrated to Argentina and became brothers-in-law. Whatever happens later they will always preserve a strong family feeling. Karl soon returned to Germany to serve in the army. Marcelo and his children Julio and Chichi became Argentinean citizens but later returned to Paris. Karl became a general with a son (Heinrich) in the SS. During WWII he got a high job within the occupation administration in France. Heinrich would come and go. Julio was a playboy. Chichi joined the resistance and was eventually tortured to death by Gestapo. Julio has a relation to a woman whose husband is a POW, and who will after release become a district leader within the resistance movement. Julio eventually feels that it is his duty to fight the Nazis. With a firm reputation as a superficial playboy, he can attend the nightclub favoured by German officers and gather much important information. Finally he and another partisan (posing as his chauffeur) accept a highly important suicidal task involving a courtesy call to Heinrich.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.